My favorite way to remember a trip is to paint it. My favorite way to get over painter’s block is to do small paintings. Luckily this past year I took a lot of really great, beautiful trips so I had plenty of inspiration for when I wanted to do something small. Unfortunately, now my problem is that I want to move to the PNW (and I’m also running out of wall space). But these are good problems to have.
I love Crested Butte. Not only do I always have the best times there (birthday weekend snowboard trips with amazing people) but the scenery is top notch. It’s hard not to be inspired to paint these mountains. The beauty and the memories make Crested Butte one of my favorite subjects to paint.
My friend and I decided to do an “art a day” month beginning in October in order to be more diligent about practicing/making art. Turns out that the month of October is also “Inktober”. We didn’t follow the Inktober prompts but it was really neat to see what other artists did on a daily basis and being a part of that mini community was also a great motivator. Since I’m just starting out with watercolors, I had a lot of new styles and techniques to practice. Below are a few pieces I did in October showing the different subjects, styles, and techniques I tried out.
Trying to paint the most iconic view in Boulder requires practice and a lot of it. With that said, I’m pretty happy with how things are coming along.
Once I get back into the artisan fair rotation and begin to focus on my business more, I hope to offer my watercolors (mountains, flatirons, skylines, etc) as cards for sale.
This August I finally made it to the PNW and fell in love with Washington State and the national parks they have there. Unfortunately, during my visit the the British Columbia wildfires were going on so the sky was constantly filled with smoke and hid the mountains in haze. I still had amazing views since the North Cascades and Mount Rainier are simply breathtaking, but this presented a new challenge when trying to paint from the photographs I took. Everything had to have more muted colors and softer lines with essentially zero visible details. This required me to focus more on the movement of the brush strokes and use of color than in trying to capture finite details (which is always great/hard practice for my perfectionist brain). Luckily, using small canvases makes that challenge a bit easier.