My favorite way to remember a trip is to paint it. My favorite way to get over painter’s block is to do small paintings. Luckily this past year I took a lot of really great, beautiful trips so I had plenty of inspiration for when I wanted to do something small. Unfortunately, now my problem is that I want to move to the PNW (and I’m also running out of wall space). But these are good problems to have.
I love Crested Butte. Not only do I always have the best times there (birthday weekend snowboard trips with amazing people) but the scenery is top notch. It’s hard not to be inspired to paint these mountains. The beauty and the memories make Crested Butte one of my favorite subjects to paint.
This August I finally made it to the PNW and fell in love with Washington State and the national parks they have there. Unfortunately, during my visit the the British Columbia wildfires were going on so the sky was constantly filled with smoke and hid the mountains in haze. I still had amazing views since the North Cascades and Mount Rainier are simply breathtaking, but this presented a new challenge when trying to paint from the photographs I took. Everything had to have more muted colors and softer lines with essentially zero visible details. This required me to focus more on the movement of the brush strokes and use of color than in trying to capture finite details (which is always great/hard practice for my perfectionist brain). Luckily, using small canvases makes that challenge a bit easier.
Acrylics have always been my strong suit. However, my style requires a lot of time and patience and recently I’ve had little of both. So in order to make me feel productive and challenge myself, I’ve picked up watercolors. Turns out, nice quality liquid watercolors are WAY more fun to use than the little crayola disk watercolors we got as elementary students.
I’m excited to see the progress I’ve made in such a small amount of time and how drastically different my watercolor technique is compared to my acrylics.
I also realized that making cards with watercolors is way more fun than trying to buy one from the store.
I’ve realized the best way to get out of an artist’s block is to think small. So I bought a bunch of little canvases, gathered up photos and ideas from recent trips, and then poured myself a bunch of coffee. So expect a bunch more little paintings.
My mom special requested a small painting of Portland headlight (one of the best pictures I took while in Maine last October) so I used one of my mini 4×4 canvases and happily obliged. Once again, quick small paintings helping me out of my painting slumps.
My friend (and former roomie), Sam, bought a condo a couple months ago and asked me to help fill her walls– which I obviously said “yes!” The first spot to fill was, of course, above the fireplace. She gave me a target canvas size, color preferences, and “aspens” and the rest was up to me. It was really great to work on my largest piece to date and it was my first piece to paint entirely without photo references. It may have taken me a long time (at least 39 hours) but I’m really glad with how it turned out.
The best part about the Jackalope Art fair was the feedback I got from people. I got a lot of great responses for all of my work, but the pieces that people liked the most (and that sold best) were my black and white mountain paintings/prints. That made me incredibly happy. My black and white mountains have really been my true style, but I began to doubt if people would be receptive to these pieces. After seeing that strangers actually do really like my mountains, I can get back to working more on these pieces in the new year. It was almost fitting that the first painting I completed in 2017 is of Resolution Bowl at Copper Mountain.
Time to go on even more trips to the mountains!